juan sanchez, the amsterdam based producer with spanish background, makes his wolfskuil debut with an impressive 2 track single. the freakshow ep is an examplary showcase of what juan is capable of. two peaktime tracks, but both with different angles. the title track delivers exactly what you expect from a song with that particular title. freaky, out of control basslines and over the top rhythmic exersises, with loads of subtle hints, clever programming and detailed edits form the freaked out basis for juans vocals. no 4 bars are the same, but the track is coherent from beginning untill the end. prepare to rip up floors with this one!23 positions shows a different side of juan. its carrying his trademark production style, but 23 positions takes a more melodic approach. beautifully arranged strings sweep in and out througout the track, accompanied by a non stop rolling groove. again there is a remarkable eye for detail, clever programming and spot on sound engineering, wich makes this tune explode from any pa.

christian fischer and dj murphy aka deckmonsters, have been causing major damage on dancefloors worldwide, and they prove once again that they are also a strong team in studio. >unbreakable< is as hard as deep, building up with dark athmospheres and background vocals and with a sweet synth line, will definetely rock any house. it also gets proper remix work by label s own a.paul. on the b-side, a.paul strikes again with another 2 monster tracks, first with a remix of one of his classics >akhuaba< and also >convey< a master piece of hardgroovin funk.

deepgroove aka grayson shipley & lee pattison from bristol have crafted their skills at venues like bristols seminal lakota, emerging with a sound that incorporates a hefty measure of eclecticism within a framework of deep and twisted tribal grooves. never fearing to tread a different path when it comes to firing a crowd, their performances marry a healthy degree of contempt for convention, to an obvious reverence for the original precepts of house music. using the 4-deck format, not as a tool for ostentatious displays of mixing prowess, but as a template for experimentation, deepgroove throw everything at the crowd, embarking on sonic voyages that range from the sultry to the surreal, with the funk never being too far from the surface. coming from a strong musical background growing up around jazz musicians in west london, jamie anderson also had a love for electronic music and the art of mixing records which has been with him ever since the early electro and hip hop days

this release offers 3 more tracks of quality techno! this time on the original mix angelo pomposo and tad g. dish out a track inspired by the murena, a fish infamous for its lethal venom. la murena starts in a deceivingly quite fashion, when, a couple of minutes into the track, the subtle background sounds take over with a mighty sting. by now more percussions add to the relentless groove. at the end just when you think it is calming down, a dark pad appears from nowhere bringing you in to the closing beats. all in all a track for every dj in search of good quality and effective dance floor productions. flavio folco and stewart walker take in charge of remixes! flavio folco s one is a deeper excursion into the dark side of tech-house, able to satisfy demanding customers with a good blend of dance floor oriented music. stewart walker s remix completes in great style the proceedings. while leaving behind his softer side he retains his own unmistakeable imprint with an excellent job, very much in tune with freshfood style! have fun!

straight outta the grimey pits of glasgow comes taz buckfaster... don rwina akkachar has picked up this young moroccan producer after hearing a few of his astonishing productions. by having the same background it was clear that these guys needed to work together, and this 12inch is what hard work and sweat can deliver.

dj aakmael is a producer/dj, who produces house, hip hop and r&b tracks. being a true music head, aakmael has a very rich background of music in his blood including hip hop, r n b, house, reggae, classical, opera, and jazz.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

alan abrahams, the man behind portable, emerged out of the ruins of a post apartheid south africa. growing up in an impoverished cape town township, tagged >beverly hills< by the locals, abrahams was always immersed in his sisters ritual of getting ready for a night out to a soundtrack of 80s soul, hi life and hip hop. inspired by the first batch of chicago house records, the foundations were laid for his future in music. experimenting with ways of combining traditional african rhythms with the 4/4 sound of house,abrahams completed various projects in south africa. most of which gave a commentary to the political turmoil of the country at the time. abrahams inevitably became frustrated by the geographic isolation of the country and relocated to london in 1997. in the uk abrahams went on to complete various releases for internationally recognised labels such as context and background records before starting up his own label, süd electronic in 2002

played by karotte!!! his first release on leena music and old pal, falko brocksieper, jumps straight into the game, spinning heads into you-know-what with his new ep, >oblivion<. these two segments display brocksiepers attention to detail and clean cuts. its classical meets modernistic. >oblivion< is smooth in its nature adding a few tweaks, keys, plus a thumping baseline here and thereû mostly keeping it simple and real. a delightful treat for your feet. its b-side, >chemtrails<, is a melodic tool taking the baseline down a notch and pulling keys in and out of the background as subtle symbols and perfectly cut vocals weave in and out sounds of an evening dust. the digital bonus >breezer< will blow you away into an unknown world of modern electronica with hidden tweaks and minimal influence. former cologne scenemeister, falko brocksiepers leading edge producing skills have landed him recent releases on turning spork, treibstoff and, not to mention, his own thriving imprint, sub-static. the latest of his renderings, >heavy day<, came out after a long five years from his debut album release sweeping the club scene of its feet. of course its no secret that brocksiepers specialty is mixing his time capsuled goods into his new work

theomatic celebrates its 10th release with an-2’s epic ‘viajero’. spanish for ‘voyager’, ‘viajero’ is a dedication to all travellers and the spirit of travel. it’s about the fact that every traveller searching for better place on earth every time ends up with the same - meets himself. the track is a result of a long work, waves that you hear in the background is pacific ocean recorded at machalilla national park in ecuador while guitar was recorded in izhevsk, russia - an-2’s hometown, it’s performed by ramil vafin, keen guitarist, guitar maker and big friend of an-2, finally it all found it’s way together in an-2’s st.petersburg studio. the remix comes courtesy of the ever excellent duo acos coolkas

g&s is nadia ksaiba and matt nightmoves waites and show me the good times is a chunky, bass heavy beast full of live percussion, space echo fx and sparkling electronic flourishes. theres also someone from a rather famous pop group banging and shaking things in the background, we ll leave it to you to work out who...

strong second release from the fresh italian label with legendary background!

phat driven technotracks with sweet background melody (mix1) or brutal gamesounds (mix 4) or harder techno tracks --> also incl some loop for your dj player heart

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

mercurochrome was born with this new century in the shadow of the cows of jura. created under the initiative of a handful of people with a weird techno and electro fringe background, this label is made of a dozen of artists, producers and djs.

one of the uk’s most respected labels, huddtraxx never deviate far from their proper house manifesto. release no19 sees kelvin k, ex head honcho at moulton studios and a san fran stalwart. with that background, you know he knows a thing or two about deep house and he serves up 3 joints from the cooler spectrum of house that appeal to the heads whilst still naiiling the floor. a corking ep!!!

the one early 90s rap track the unified granola munching, tree-hugging rurals with the usual, rather metropolitan, grim hip-hop cientele gets boosted for today s house floor by germanys shinning knights of funk-filled house. yet instead of just putting a slamming beat underneath the accapella, they fire-up the crowd with a looped bluesy guitar lick and sweet background vocal part that is rather hidden in the original version - combined with a skipping, percussive beat this is a smasher

a sexy release for rare 12inch versions and re edits from belgium and france... we have here some slower but heavy funk numbers, that will appeal to anyone from disco funk lovers to cosmic balearic djs... a side is a killer belgium nuggets, that needed a small cut in the bridges to become a plain and simple absolut classic. b side is the french side... two sexy tracks from the 70s french madness... no joke, first up use to be background music on french tv for the weekly strippers show (aahhhh the 70s)

supported by: tom stephan, jerome sydenham, noir, atle, djuma soundsystem, patrick bateman.. we wanted to try something new. to let an outside artist provide the main track. the choice was pretty easy – it could only be danish sensation jack rock. he has been killing the big stages all over northern europe with his technically demanding live-sets. a university background in sound theory and interactive sound design means that his productions of post-minimal techno are brimming with interlacing tones and harmonic elements.

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

hey flavio, why are you so acid?? the just 20 years old guy is already showing lots of influence in his background! flavio diaz, young producer divided between naples and london, becomes part of the born pulsars in the techno music galaxy with amazing tracks! vitamin r and mister jetix reflect the evolution of the analytic trail groove , influenced by the minimal of detroit and the acid house of chicago before and london then, and marked by techno neapolitan school personal imprint. mister jetix is a real funky track, nominated to be a real floor killer, both in the original version that like the remix by the chairman of the house, markantonio. vitamin r is a real brand new vitamin discovered by flavio, that we wish to take at early morning to charge up and start again!

masters at work bring their incredible style while incognito add their vocal in a massive tune looking to dominate the dancefloors! solid percussive and musical terrain overlayed with a dominating and uncannily groovy bass riff as the lyrics are sublime and hit a chord inside your soul incognitos interpretation is sincere and is well contrasted by brilliant background vocals the orchestration of guitar, warm violins, keys and bass heighten the level of this songs sophistication the soothing voice and the songs message will command you to dance! remixes by little louie vega and kenny dope gonzalez, the ultimate pairing with that nu yorican sound of m a w! refreshing live instruments compliment splendid vocals constructions chorus that builds and builds to the heavens essential!!

played by raresh, matthias tanzmann, ricardo villalobos,.. with sascha dive and johnny d. the oslo sublabel serves up two exceptional artist on rare becoming black gold. midnight blues is a deep, groovy track produced by sascha. some background vocals are charmingly pushing the track forwards, into a world, where soulful reduction meets classic house grooves. with pako mana johnny d. shows us his source of inspiration, which is based on funk, soul and loads of deepness. its a track thats characterized by its musicality and feel for groove. an odyssey of extasy

the 3 jagged guys come from a different background, but they all love and live quality music for many years already! so the best time they have cooking things up in their studio – and as a result, it sounds like >hello kool nice<. analogue equipment plus the mpc, thats the sound of jagged and quintessentials 02: organic, raw and real! the remixes courtesy of colognes harry swinger & dc (rushhour) with an old school deephouse edit and man of the moment quarion (drumpoet community) with a great summerish uplifting rework are pure dope too. essential

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

played by c-rock, d julz, gregor tresher, 2000 and one, minilogue and many more… like no other german producer, hannover-born martin buttrich has been decisively influencing the sound aesthetics of electronic dance music since the middle of the nineties. having been more in the background for most of the time while working for and with timo maas and loco dice among others, his benchmark releases for carl craigs label planet e or poker flat have also spotlighted his original name in the public. buttrichs second ep for cocoon couldnt prove better his prediction that in 2008, minimal techno will be containing more warm and melodic components. strangely familiar but always surprising, again and i lost my wallet provide us with bassprone reduction somewhere in between techno and house, and harmony bits that remind of caribbean calypso sounds provide the feeling of the approaching summer which makes both tracks perfect for the final of the open air season 2008. at least, buttrich will be an integral part of the season closing between ibiza main river and spree.

after the massive success of stay around in 2007 the next single by milk & sugar is set now for ibiza domination. ‘no no no’ receives support from pete tong on bbc1 and the and world class djs like axwell, david guetta, bob sinclar, roger sanchez, little louie vega, tv rock and many more. top position until now #4 uk buzz charts. milk & sugar s new single no no no contains vocals by roxanne wilde, youngest sister of 80 s superstar kim wilde. roxanne s career had always been championed by their famous father marty wilde, no wonder her debut album was picked up by pete tong for wall of sound records in 2005. the following year she left the label again, and went on to songwriting with various artists and supported her sister and also kylie minogue on their live tours as a background vocalist. no no no edition 2 will be released now with mixes from mischa daniels and d.o.n.s. vs. dbn

dachshund started to produce techno music in 2006. influenced by his background as a dub and d&b producer, his sound is energic and groovy. today, dachshund is one of the finest example of genevas top quality minimal techno scene. he released most of his tracks on different labels such as num records, platzhirsch, mental groove, 60sec, and many others. he plays live and dj set as well and knows exactly how to run a dancefloor. his releases >somehow<, >water game<, have been acclaimed by the whole scene. for his thrilling and creepy tracks he uses many spatial effects and therefore he creates very abstract sound buildings that are standing immovable in a well structured landscape of weird minds.

played by adam beyer (drumcode),magda (minus), marco carola (minus), mark broom (pure plastic ) ,mihalis safras(traum/trapez), paco osuna (plus 8)... incl. reboot (cadenza/cocoon) & markus fix (oslo/cecille) rmx!!! for lovers of villalobos, hawtin & luciano…in 1994, from the 7th of april until the mid of july between 500.000 and one million people in rwanda were slaughtered in a genocide that took place against the background of a civil war. the red cross works to trace and reunite families thrust apart by the tragic events that shaped rwanda and the region since 1994. we will support the red cross by donating all the money gathered with our project ruanda

played by: akufen, laurent garnier, pheek, electric indigo ,… trimsound return from a winter hibernation with a fresh release for you this spring - this time our special guest is canadian whizzkid frivolous (~scape / background / karloff / epsilonlab) providing us with a quality blend of quirky electro-tinged micro-house with a brilliant dancefloor vibe. next up leifs infectious warm dubbytech-house track brings things a little bit deeper - in line with his latest release on fear of flying records. on the flipside, tom ellis jacked-up funk sound absolutely rocks it - tom is on fire at the moment with releases lined up on minibar, musique risquee and hartchef amongst others. finally, joe ellis tops off this awesome ep with a deep jazzy chord-driven groover akin to his productions on new netlabel paperscissorstone.

>be free< is a soul drenched full vocal roller, cool rhodes chords and a little cough set the smoky atmosphere right, leading way to the drums. strings and background effects compliment the intro as it breaks down to reveal the be free vocal. pure quality! this takes us on a little journey with catchy lyrics and a hook to get you singing along word for word

tip !! played by ripperton, agnes, quenum, chaton, crowdpleaser. we are really proud that ali joins the plak family. he’s from istanbul and got a very unique feeling for deep stuff. 2 endless tracks, nearly 24 minutes, of reduced head-y house, roots percussions, jackin’ hihats and cut-up vocals. add a trumpet lead and traditional turkish music on background and dive into ali’ world

tripping and acid infected darker techno double a sider styled up with background sound scapes

splitt ep with dave tarrida & tobias schmidt and sigi haussner aka tunebox..

electronic scene respectively, inigo oruezabal (2nd room records, inevitable, rubrick) and francisco allendes (andes music, techfest records and tron records). this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america

for fans od richie hawtin !!watch out! this one going to be huge. italian artist rico casazza has a varied musical background of classical, soundtrack and dub, but his core interest is quality, 4/4 techno. his style centers on deep atmospherics, bright as well as stoned melodies and lazy ambiences, with a subtle twist of tension...

a two track 12 inch of electrifying, catchy and simply deep underground music. side a, espac ( the shorter name variation of espace), is a funky, moody and cosmic sound sculpture that fits well into the minimal tech category. this track contains a bass-laden brass morphing sound which converts to a more trumpet horn like sound. the loudness and resonance of this lead sound will definitely grab the attention of the audience. strings from outer space, claps with a live funky feeling, shuffled hats and a radioactive background noise >wicked!!! side b, f.e.b., contains more morphing and electrifying hi pass resonance chord sounds. these sounds are combined with a warm stringful waving wall sound, a heartbeat like pulsating bass line and a simple offbeat playing open hi-hats. this track is relaxing but exciting at the same time which is sure to pack the dance floor!!

the beginning of year three in the adjunct chronicles is marked by a 12inch by our own apendics.shuffle. kenneth james gibson has been bombarding the techno scene consistently for the past few years. u_derline, orac, friends of tomorrow, mos ferry, sunset diskos among other labels have served as the carrier for kens deadly weapons. remix duties are taken on by the one and only mathias schaffhäuser , a renowned techno superstar and the founder of ware records. there couldnt have been a better title than >no reduction< to literary describe this monster of a track - ken has unleashed the entire arsenal of his studio for the creation. stern synth patterns pizzicato their way through the track, deep sea signals ring in the background, distorted vocal snippets insist on taking >all the money<. energetic and magnetic dancefloor number dedicated to the real freaks. mathias approaches the rework with smooth drumming and a velvet bassline. the cheeky cabaret vibe however never settles: the diabolical pizzicato of the original returns and the voices continue their demands for (what all adds up to in the end) >no reduction<. oblivious filth brings yet another layer to this joint. beautifully crafted sounds mingle with electro-mechanical noises, layers of melting textures lure the listener into a late night wonderland

after two outstanding appearances on eminor #03 and #06, raumton comes up with his first solo ep on this hamburg based label. expanding chambers shows that his house-inspired background, however still present, fades towards more subtle, minimalistic and emotional melody lines

played by ricardo villalobos, richie hawtin , losoul, baby ford, bruno pronsato... aandy vaz is the owner of the background record label, hes a very talented producer who makes high quality and sophisticated house music. andy gives us the honor to do a 2nd ep after the very acclaimed >shrinking cities ep< (tel16) released in 2004. this new 12 different from the previous one presents 3 strong tracks.

perugia based deejay and producer adriano filippucci is the latest addition to the earresistible musick stable. upcoming sound-shifter is classically trained musician and composer with jazz and electronic music background as well as expert in analogue and digital synthesis. his opus includes releases under the monikers quartz, human tech and alpha duo and the adf projects was developed under the influence of artists such as sasha, john digweed and satoshie tomiie, although the traces of their sound cant be spotted easily in this release

both tracks written and produced by chris liebing at studio one. (a1) supported by ali (deepdish)!! the a-side >bangpop< is at first obviously driven by a central bassdrum. little by little, it steps into the background and makes room for the fine and striking, hypnotic sequences. that sounds good already, but gets polished by a snaredrum that simply makes you happy. a little hit? we wouldn t be surprised. on the b-side we are facing >puckelbop<, a 12 minutes long monster. a good example for how efficiently a bassdrum and a sequence can clear an aisle into a forest. no tree will remain standing – theyll move! clr20

roland clark presents urban soul returns with a swingin jazzy house tune that ll make you shake your rump. roland is on the mic, egging people on to enjoy themselves, fortifying the purpose of a party. mr. v gives us a pumpy but deep mix with a faint victrola background hook. the 5 beats mix (named after the paris/nyc party with franck roger & alix alvarez) is a straight up simple shoo be doo repetitive jammin dub. the original mix gives the full essence with a more mainstream radio appeal. just let go & have fun!

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

with multiple releases on background records, scape, and ghostly/spectral already under his belt, alan abrahams (aka bodycode and portable) presents a fabulous fusion of ultra-deep house and afro-futurism on his yore debut a document of an african past

after the last ep on catwash records 011 by dj w!ld ,its the turn of the other behalf of catwash band:chris carrier . rising out from the parisian house music underground, chris carrier is no average guy for those djs who knows how to rock a party. and while chris is producing and djing more than ever before ,he also find sometimes to do this great ep. on the a side with communication breakdown he s delivering us a good techno tribal beats with a high oriental sequence. may remind so how , the groove of the early 90s ...just a classic carriers beats !!! nothing to show is more housy with dubb sound on the background.a classy brazilian voice come after 2 min to blow your mind .its the perfect track to start burning up the dancefloors...be sure that everyone will start 2 fell the heat .living wreck is enough techno to make da body movin & enough deep to wake your soul!with a touch of maurizio and a perfect carriers groove be prepâred with this track to dance until the morning comes!

the long awaited follow up to love wont give up is finally here! hold on to me is a powerful duet performance delivered by the first family of our house music scene mr. kenny bobien and his wife stephanie cooke. kenny bobien sets his falsetto style aside and surprises us with his tenor vocal abilities, which added a fine r&b flavor to his performance. on the background vocal duties, mrs. stephanie cooke brings just the right balance and blends in beautifully with her husband. soulshines own louis benedetti seats behind the mixing board and comes up with a stellar set of mixes. tested and approved by a handful of tastemakers hold on to me is without a doubt another soulshine classic!!!!

supporters: mason, sebastien leger, john dahlbäck, huntemann !! here it goes again – the never tired swedish production phenomenon. paranoia is a naughty builder with mysterious chords and melodies resulting in total rave jimjams! definitely made to make peak time dancers shiver and scream. the b-side displays zoo brazils disco background: grooving real drums, melodic arpeggio action and of course disco toms make this one a unique & exotic electro house rave interpretation. the best thing to do is to clap your hands and lift them up at the same time. mission accomplished!

mark henning is back with a release on played by mike monday, paco osuna, karotte, tom clark, markus kafka, mike shannon, jeremy p.caulfield, seph !! einmaleins musik and the label is happy to have marks funkyness pressed on vinyl! a side track is rich of sounds, funky n groovy, changing all the time and giving life at the dancefloor. b side track is a more stripped down techno track with voices and background sounds that make a adventure sound landscape!the track keeps evolving and get the funk back in after the second half of it!special different release just like mark knows to do